Things To Come 1939 - Colorized

Things to Come (also known as Shape of Things to Come and in promotional material as H. G. Wells' Things to Come) is a 1936 British science fiction film produced by Alexander Korda, directed by William Cameron Menzies, and written by H. G. Wells. The film stars Raymond Massey, Edward Chapman, Ralph Richardson, Margaretta Scott, Cedric Hardwicke, Maurice Braddell, Sophie Stewart, Derrick De Marney, and Ann Todd. H. G. Wells conceived his treatment as "a new story" meant to display the "social and political forces and possibilities" that he had outlined in his 1933 book The Shape of Things to Come, a work he considered less a novel than a "discussion" in fictional form that presented itself as the notes of a 22nd-century diplomat. The film was also influenced by previous works, including his 1897 story "A Story of the Days to Come" and his 1931 work on society and economics, The Work, Wealth and Happiness of Mankind. The cultural historian Christopher Frayling called Things to Come "a landmark in cinematic design".

LicensePublic Domain

More videos by this producer

DIE DEUTSCHE WOCHENSCHAU, NO. 2, 1945

German Propaganda Newsreel. Part 4, on the German "Bulge" offensive of Dec. 16, 1944. Shows a V-1 bomb in the air, a rocket barrage, artillery firing, and U.S. POW's and dead. German tanks and infantry are rushed to the front. Record Group 242: National Archives Collection of Foreign Records Seize

Things To Come 1939

Things to Come (also known as Shape of Things to Come and in promotional material as H. G. Wells' Things to Come) is a 1936 British science fiction film produced by Alexander Korda, directed by William Cameron Menzies, and written by H. G. Wells. The film stars Raymond Massey, Edward Chapman, Ralph

Betty Boop in Poor Cinderella 1934

Poor Cinderella (original title as Betty Boop in Poor Cinderella) is a 1934 Fleischer Studios-animated short film featuring Betty Boop. Poor Cinderella was Fleischer Studios' first color film, and the only appearance of Betty Boop in color during the Fleischer era. It was the first Paramount Picture