0:00 → 0:10
♪♪♪
0:10 → 0:20
♪♪♪
0:20 → 0:30
♪♪♪
0:30 → 0:33
♪♪♪
0:33 → 0:35
Hey, hey, Joe.
0:35 → 0:37
Look who's coming.
0:39 → 0:41
Yeah, that's what I call a real fine-looking woman.
0:41 → 0:43
Yeah, you mind your manners,
0:43 → 0:45
of course she's a married woman.
0:48 → 0:50
Hi, Miss Edwards, this is a real pleasure, ma'am.
0:50 → 0:52
Hello, horse.
0:52 → 0:53
Hello, little Joe.
0:53 → 0:54
My pleasure, ma'am.
0:54 → 0:56
Uh, little Joe, why don't you see after Miss Edwards' horse
0:56 → 0:57
while I help her down?
0:57 → 0:59
Yeah, well, little brother, why don't you see after her horse
0:59 → 1:00
while I help her down?
1:00 → 1:02
Hey.
1:02 → 1:04
Oh.
1:04 → 1:08
Joyce.
1:08 → 1:09
Ben.
1:09 → 1:10
Oh.
1:10 → 1:12
Oh, Ben.
1:12 → 1:14
Oh, it's so good to see you again.
1:14 → 1:16
It's wonderful seeing you.
1:16 → 1:18
You'll stay for supper.
1:18 → 1:20
Adam, you remember Mrs. Edwards?
1:20 → 1:21
Hello, Adam.
1:21 → 1:22
I remember her.
1:22 → 1:25
I just wasn't speaking because I was so busy looking.
1:25 → 1:27
You Cartwrights certainly know how to please a woman.
1:27 → 1:30
Joe, run in and tell Hopsing we'll have a guest for supper.
1:30 → 1:31
Right, fine.
1:31 → 1:32
Oh, Ben, I...
1:32 → 1:34
Adam, Adam, down in the cellar by the north wall
1:34 → 1:35
are two cases of Lafitte.
1:35 → 1:37
Bring up a couple of bottles there.
1:37 → 1:39
Now, look, you've come all this way,
1:39 → 1:41
surely you can stay for a little while.
1:41 → 1:43
Now, we need a lady in this house.
1:43 → 1:45
You know, I've got these three grown sons
1:45 → 1:47
who are very good with manners.
1:47 → 1:48
Now, please, come here.
1:48 → 1:51
All right, but just for a little while.
1:51 → 2:00
I wouldn't go in there if I was you, Mrs. Edwards.
2:00 → 2:01
It's nothing, Ben.
2:01 → 2:03
He's just our new hired hand.
2:03 → 2:05
He must be lost.
2:05 → 2:07
Pay no attention to him.
2:07 → 2:09
Suit yourself, ma'am.
2:09 → 2:11
Only Mr. Edwards ain't gonna like this.
2:11 → 2:13
Ezekiel,
2:13 → 2:15
you can say anything you want to,
2:15 → 2:17
but Mr. Cockwright is an old friend,
2:17 → 2:19
and I'm going inside.
2:19 → 2:21
Anything you say, ma'am.
2:21 → 2:25
But I'll be waiting for you.
2:26 → 2:29
♪♪♪
2:30 → 2:33
♪♪♪
2:33 → 2:36
♪♪♪
2:36 → 2:39
♪♪♪
3:05 → 3:08
♪♪♪
3:08 → 3:17
Your house is so attractive, Ben.
3:17 → 3:19
It gets nicer with the years.
3:19 → 3:22
It's been years since you've been in this house, Joyce.
3:22 → 3:24
Yes, I know.
3:24 → 3:26
I've missed seeing it.
3:26 → 3:28
I've missed seeing you.
3:28 → 3:32
All of us have.
3:33 → 3:35
How's Tom?
3:35 → 3:37
Oh, all right.
3:37 → 3:43
Just all right?
3:43 → 3:52
How is he, really?
3:52 → 3:54
He's still bitter.
3:54 → 3:57
He's been bitter ever since the accident.
4:00 → 4:04
All day long, he just follows me around in his wheelchair.
4:04 → 4:06
And every night, in front of Ezekiel,
4:06 → 4:08
he calls me names.
4:08 → 4:11
He says the most awful things.
4:11 → 4:13
Ezekiel?
4:13 → 4:15
That man outside, the hired hand?
4:15 → 4:17
He's more than just that.
4:17 → 4:21
Tom spends half the night drinking and gambling
4:21 → 4:23
with his hired hand.
4:23 → 4:25
Drinking and gambling?
4:25 → 4:27
I thought the accident left him incapacitated.
4:27 → 4:29
Only from the waist down.
4:29 → 4:35
Tom drinks himself into a stupor,
4:35 → 4:38
and Ezekiel carries him upstairs.
4:38 → 4:40
He never knocks.
4:40 → 4:44
He just brings him right into the room.
4:44 → 4:47
And he puts him down on the bed next to me.
4:47 → 4:50
And he straightens up.
4:50 → 4:52
And he looks at me lying there.
4:52 → 4:54
And he says,
4:54 → 4:57
Good night, Mrs. Edwards.
4:57 → 4:59
And goes.
4:59 → 5:01
Every night, it's this.
5:01 → 5:03
But last night...
5:03 → 5:08
Usually, Tom can't turn over,
5:08 → 5:11
but somehow, last night, he managed to.
5:11 → 5:13
I woke up,
5:13 → 5:16
and I saw him bending over me
5:16 → 5:19
with a carving knife in his hand.
5:19 → 5:21
He didn't move.
5:21 → 5:24
He just sort of smiled at me.
5:24 → 5:27
You're so beautiful, he said.
5:27 → 5:30
I can't bear to think of my going first.
5:30 → 5:34
Joyce, surely you must know Tom meant no harm.
5:34 → 5:36
I don't know.
5:36 → 5:38
He's always talking about death.
5:38 → 5:41
His death. My death.
5:41 → 5:45
I, uh, I've got to go.
5:45 → 5:47
Joyce, please, stay.
5:47 → 5:49
I can't, Ben.
5:49 → 5:53
Oh, Tom will be all right.
5:53 → 5:56
If only he could find something to do
5:56 → 5:59
to take his mind off himself.
5:59 → 6:01
He...
6:01 → 6:04
Oh, I've got to go.
6:04 → 6:15
Lohas, would you get Mrs. Edwards to us, please?
6:15 → 6:17
Right, Paul.
6:17 → 6:21
Joyce, I don't like the idea of his following you.
6:21 → 6:25
It's all right, Ben. He'll keep his distance.
6:25 → 6:29
I'll ride along partway with you.
6:29 → 6:31
All right.
6:31 → 6:33
Thank you.
6:33 → 6:36
Here you are, Mrs. Edwards.
6:36 → 6:38
Thank you, Lohas.
6:39 → 6:41
Well...
6:41 → 7:06
I heard once it was Pa's gun that hit him.
7:06 → 7:08
That's a lie.
7:08 → 7:11
Eat your supper, both of you, and stop talking about it.
7:11 → 7:14
I didn't mean he hit him on purpose. I meant he hit him accidental.
7:14 → 7:16
That's two lies.
7:16 → 7:18
That's not what they say in town.
7:18 → 7:22
That's Mr. Edwards, Joe. Sure he blames Paul. He claims he crippled him.
7:22 → 7:24
Did he or didn't he?
7:24 → 7:26
He did not.
7:26 → 7:28
How do you know? You weren't even there.
7:28 → 7:30
I was there an hour later.
7:30 → 7:32
They were out after Wild Mountain sheep.
7:32 → 7:34
Mr. Edwards slipped and fell to a ledge.
7:34 → 7:37
They were climbing up when they fell to another ledge.
7:37 → 7:39
That's when the gun went off, getting him in the spine.
7:39 → 7:41
Whose gun? Mr. Edwards' gun.
7:41 → 7:43
All right, then why does he blame Pa?
7:43 → 7:48
Eat your supper. It's getting cold.
7:48 → 7:55
Boys.
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I'm sorry I opened the wine, Pa. I didn't know she was leaving so soon.
7:58 → 8:02
Well, we haven't had any of this since Christmas, Ben.
8:03 → 8:05
Yeah, it's a miracle.
8:05 → 8:08
This wine, imprisoned in this bottle for 20 years.
8:08 → 8:10
And each year it seems to grow better.
8:10 → 8:13
Yeah, well, I'm sorry Miss Edwards couldn't make the dinner tonight,
8:13 → 8:15
but I'm sure glad to be taking part of this wine.
8:15 → 8:17
Me too.
8:17 → 8:19
Boys, I need your help.
8:19 → 8:23
What do you think Tom Edwards could do?
8:23 → 8:27
What do you mean, Pa?
8:27 → 8:29
Well, they're out of money.
8:29 → 8:32
He squandered everything they ever had.
8:32 → 8:35
They owe everybody, and he's always gambling.
8:35 → 8:38
That Zeke fellow, does he live with them?
8:38 → 8:42
I'm sorry, Pa, I wouldn't want you to talk with your mouth full.
8:42 → 8:46
He not only lives with them, but they owe him too.
8:46 → 8:49
Well, what about Virginia City? Maybe he could clerk somewhere.
8:49 → 8:51
You ever talk with him?
8:51 → 8:53
Every time he opens his mouth, it's like poison poured out.
8:53 → 8:56
Now, Hoss, this was once a wonderful man, but he was struck down.
8:56 → 8:58
Life struck him down.
8:58 → 9:00
Pa, I didn't mean to offend you.
9:00 → 9:03
They've got a pretty good flow of water on their place, haven't they?
9:03 → 9:07
Who are we to say that if we were struck down, we wouldn't be pouring out poison too?
9:07 → 9:10
Now, what were you saying about water?
9:10 → 9:13
Oh, well, I was thinking that there's no mill around,
9:13 → 9:15
and they have a pretty good stream there.
9:15 → 9:19
We could rig up a water wheel, build a small mill house.
9:19 → 9:21
They could grind grain.
9:21 → 9:23
That's a wonderful idea.
9:23 → 9:25
A wonderful idea!
9:25 → 9:27
Adam, I want to drink a toast to you.
9:27 → 9:29
You drink to him too? He's a mighty bright fellow.
9:29 → 9:32
Downright bright, and a real pride and joy to the Cartwrights.
9:32 → 9:34
Well, thank you, gentlemen.
9:55 → 9:57
Take care of my horse.
9:57 → 9:59
Anything you say, Mrs. Edwards.
9:59 → 10:08
Well, did you have a pleasant ride?
10:08 → 10:10
Yes.
10:10 → 10:12
I hope so.
10:12 → 10:18
At least that will compensate a little for all that you have to put up with.
10:21 → 10:25
Darling, I know it's dreadful of me to make such a fuss when you go out,
10:25 → 10:31
but you have no idea how awful it is for me to sit here alone without you.
10:31 → 10:35
Let me kiss you.
10:35 → 10:44
Your skin is so lovely.
10:44 → 10:46
Your cheeks are pink.
10:46 → 10:49
Kiss?
10:49 → 10:52
I'm awfully tired. I think I'll go up to bed.
10:52 → 10:55
You told me where you've been.
10:55 → 11:00
I, uh, went to see the Cartwrights.
11:00 → 11:06
Why? To complain about your husband?
11:06 → 11:08
Tom, please don't start that again.
11:08 → 11:11
I love you. I'll never leave you. You know that.
11:11 → 11:15
I expect Ben received you very warmly, didn't he?
11:15 → 11:17
Did you get any money out of him?
11:17 → 11:19
Tom, please.
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He's very rich. You're very attractive. We need money.
11:23 → 11:25
Yes, I did go about money.
11:25 → 11:29
You know that property that my father left me in San Francisco?
11:29 → 11:34
Well, Ben sometimes goes to San Francisco, and I thought that he might sell it for me.
11:34 → 11:45
Darling, what about that property your father left you in San Francisco?
11:45 → 11:47
What do you mean?
11:47 → 11:50
Five acres. That should be worth quite a lot, wouldn't it, Ezekiel?
11:50 → 11:53
Now, Mr. Edwards, you don't want to go gambling your wife's good land.
11:53 → 11:56
Oh, no. I'm doing it for her.
11:56 → 11:58
How's that, Mr. Edwards?
11:58 → 12:02
Well, she hates you. This way she could get rid of you.
12:02 → 12:07
Now, Miss Edwards, you don't want to get rid of me, close as I've been to your husband.
12:07 → 12:09
How would that get rid of him?
12:09 → 12:12
I bet the whole five acres against all we owe Ezekiel.
12:12 → 12:15
If he loses, then we don't owe him anything, and he clears out.
12:15 → 12:20
Go ahead.
12:20 → 12:22
Bet the land.
12:22 → 12:26
You surprise me, Mr. Edwards.
12:26 → 12:29
You think I stay with you just for money?
12:29 → 12:33
You think I take care of you? You think I carry you up them stairs night after night...
12:33 → 12:35
and put you to bed just for money?
12:35 → 12:39
Now, believe you me, Mr. Edwards, I know I ain't fit to tie your shoe.
12:39 → 12:42
But just living with you, sir, and Miss Edwards here...
12:42 → 12:45
I've grown to you too like it was home almost.
12:45 → 12:49
No, sir, no offense, ma'am, but I can't take that bet.
12:49 → 12:51
All right, all right.
12:51 → 12:53
I'll play you for $5.
12:53 → 12:57
Will you lend me $5?
13:05 → 13:09
You did give me a scare, Mr. Edwards. I thought I was gonna lose my home.
13:09 → 13:13
Good night, Miss Edwards.
13:13 → 13:15
Good night.
13:15 → 13:41
Morning, Tom.
13:41 → 13:44
Well, I was, uh, riding into town.
13:44 → 13:47
I, uh, thought I'd drop by.
13:47 → 13:50
To see me, to see my wife.
13:50 → 13:52
To see you both, Tom.
13:52 → 13:55
Sit on the porch if you want to.
13:55 → 13:57
She's picking grapes.
13:57 → 13:59
Morning, Mr. Cartwright.
13:59 → 14:04
Yeah, that's a...
14:04 → 14:08
It's a mighty fine stream you have here on the property.
14:08 → 14:12
I hear my wife paid you a little visit yesterday.
14:12 → 14:14
It was good to see her.
14:14 → 14:16
Good to see you, Tom.
14:16 → 14:18
Is it?
14:18 → 14:20
Tom, I'll be straight out honest with you.
14:20 → 14:23
I made a definite point of stopping by here this morning.
14:23 → 14:26
I have a little business proposition I'd like to talk over with you.
14:26 → 14:29
How would you like to make some good money?
14:29 → 14:33
There ain't much Mr. Edwards can do, ailing chronic the way he is.
14:33 → 14:35
Tom...
14:35 → 14:38
I want to build something on your property.
14:38 → 14:40
A money-making operation.
14:40 → 14:43
When I get my money out, plus 15%,
14:43 → 14:45
then it's yours to own.
14:45 → 14:47
Ha! Did you hear that?
14:47 → 14:51
My wife goes to see my best friend, and suddenly I'm in business. I'm rich.
14:51 → 14:55
What's the proposition, Mr. Cartwright?
14:55 → 14:57
A mill. A grain mill.
14:57 → 15:00
Now, there's none around here for miles, and people around here need a mill.
15:00 → 15:03
Now, you have the water. I have a son who knows how to put that water to work.
15:03 → 15:05
What are you doing?
15:05 → 15:07
Trying to get something from me.
15:07 → 15:09
Tom, I said this is a business proposition.
15:09 → 15:12
Now, put up the money, and my sons and I will build that mill for you.
15:12 → 15:14
What are you getting, Mr. Cartwright?
15:14 → 15:16
Water rights forever?
15:16 → 15:20
I've already said what I want.
15:20 → 15:23
My investment back, plus 15%.
15:23 → 15:26
If I have that, I'm satisfied.
15:26 → 15:28
You mean...
15:32 → 15:34
Hmm.
15:34 → 15:36
That sounds pretty good.
15:36 → 15:38
Not to me it don't.
15:38 → 15:42
Would you be good enough to let Mr. Edwards make his own deal if he so sees fit?
15:42 → 15:44
Of course, sir. Excuse me. Excuse me.
15:44 → 15:48
Never mind, Zeke, Ben. We've been thrown together so much, we're almost like partners.
15:48 → 15:50
My only thought, sir, is for Mr. Edwards...
15:50 → 15:52
That's enough, Zeke. Now, you keep out of this.
15:52 → 15:56
Mr. Edwards, we'd have all those people coming around, all that excitement.
15:56 → 15:59
You don't hardly sleep nights, as it is.
15:59 → 16:02
Tom, what do you say?
16:02 → 16:04
Have we an agreement, or haven't we?
16:04 → 16:06
15%, huh?
16:06 → 16:10
15%. Now, you shake on that, we'll have that mill up in a week.
16:10 → 16:11
You make it 10%?
16:11 → 16:13
No.
16:13 → 16:15
12 1⁄2?
16:15 → 16:17
12 1⁄2.
16:17 → 16:21
I'm mighty glad, Tom. Boy, that mill will be a great thing for everybody.
16:21 → 16:23
What do you think of that, Ezekiel? What will I tell Joyce?
16:23 → 16:26
Well, all right, Tom. Let's be getting on at the town.
16:26 → 16:29
Oh, say, we can start bringing the stuff in tomorrow, if that's all right.
16:29 → 16:31
Oh, do that. You do that, Ben.
16:31 → 16:33
Ben...
16:33 → 16:36
We'll be friends again?
16:36 → 16:39
Let me tell you, Ben, in my heart...
16:39 → 16:41
When I'm not in pain, I mean.
16:41 → 16:44
In my heart, I never blame you.
16:44 → 16:46
It was my gun, my fault.
16:46 → 16:48
Bless you for coming.
16:49 → 16:50
Goodbye tomorrow, Tom.
16:50 → 16:52
Fine, Ben.
16:52 → 16:55
Thought you owned me, didn't you?
16:55 → 16:57
Thought I couldn't even get up to bed without you, huh?
16:57 → 16:59
I'll show you.
16:59 → 17:01
I'll take you to your wife, Mr. Edwards.
17:01 → 17:03
Would you like to go pick grapes with your wife?
17:03 → 17:06
I'll make me so much money, I'll hire me a nurse from San Francisco.
17:06 → 17:08
It'll be a real one, too. Not just somebody like me.
17:08 → 17:10
I'll take you to your wife, Mr. Edwards.
17:10 → 17:12
Would you like to go pick grapes with your wife?
17:12 → 17:14
I'll make me so much money, I'll hire me a nurse from San Francisco.
17:14 → 17:16
It'll be a real one, too. Not just somebody like me.
17:16 → 17:18
I wouldn't get excited, Mr. Edwards.
17:18 → 17:20
You're gonna have another bad night.
17:20 → 17:22
You hope I have another bad night, isn't that it?
17:22 → 17:24
You hope I'll have to call for you.
17:24 → 17:26
Where are you taking me?
17:26 → 17:28
To your wife, Mr. Edwards. I'm gonna take you to your wife.
17:28 → 17:30
You forget about my wife, you hear me?
17:30 → 17:32
You get her right out of your head!
17:32 → 17:38
Take me back in the house.
17:38 → 17:41
Yes, sir.
17:42 → 17:44
Ben!
17:44 → 17:46
Joyce!
17:46 → 17:51
Ben! Oh, how wonderful to see you.
17:51 → 17:53
Does Tom know you're here?
17:53 → 17:55
Yes, I just talked to him.
17:55 → 17:57
I think I have some very good news for you.
17:57 → 18:01
I suggested to Tom that we build a gristmill here and that he run it.
18:01 → 18:03
What did he say?
18:03 → 18:05
He's all for it. He likes the idea.
18:05 → 18:07
I'm afraid I can't do it.
18:07 → 18:09
I'm afraid I can't do it.
18:09 → 18:11
He likes the idea.
18:11 → 18:13
Oh, Ben!
18:13 → 18:15
Oh, I'm so happy.
18:15 → 18:17
If only this could make Tom happy, too.
18:17 → 18:19
Remember the way he used to be?
18:19 → 18:22
I'll help you pick some grapes.
18:22 → 18:28
Ben...
18:28 → 18:32
What you're doing is the most wonderful thing anyone could do for us.
18:32 → 18:35
Now, wait a minute. You're forgetting I'm making a profit, too.
18:35 → 18:38
I know what you're doing.
18:38 → 18:40
I know what you're doing.
18:40 → 18:52
Ben, about... about yesterday...
18:52 → 18:56
I've... I've never complained to you before, have I?
18:56 → 18:58
I've never complained to anyone.
18:58 → 19:03
But all these years, I've been dying, too.
19:03 → 19:06
I know, Joyce.
19:06 → 19:08
I'd have died for him if I'd left him.
19:08 → 19:10
My health, my...
19:10 → 19:13
Just the sight of me seems to infuriate him at times.
19:13 → 19:16
Just the sheer sight of me.
19:16 → 19:18
Just...
19:18 → 19:20
Just your beauty.
19:20 → 19:22
Oh, Ben.
19:22 → 19:25
I forgot about that a long time ago.
19:25 → 19:28
He's a ****, and I'm a ****, too.
19:28 → 19:32
How are you a ****?
19:32 → 19:34
Because I don't stand up to him.
19:34 → 19:37
I can't stand the terrible thing he says to me.
19:37 → 19:41
Sometimes he... he eyes me like a stranger would.
19:41 → 19:43
He says things he shouldn't.
19:43 → 19:45
This may all come to an end.
19:45 → 19:47
You know, he was so happy when I left him.
19:47 → 19:49
I think the mill may change everything.
19:49 → 19:51
Oh, I hope so.
19:51 → 19:53
It's got to be a fine mill.
19:53 → 19:55
You know, Adam's very clever with that sort of thing.
19:55 → 19:57
He's made some wonderful drawings.
19:57 → 19:59
You're so fortunate in your boys.
19:59 → 20:01
Hmm. Hmm.
20:01 → 20:04
They could be half your life.
20:04 → 20:06
Only half?
20:06 → 20:08
Sons can't be everything.
20:08 → 20:17
Did you notice how blue the mountains were this morning?
20:17 → 20:22
Yes, I... I saw them.
20:23 → 20:25
Oh, it's starting to look very good.
20:25 → 20:27
Coming along fine, Pa.
20:27 → 20:30
Hey, Pa, when's Hoss going to get here with those millstones?
20:30 → 20:32
Should be real soon.
20:32 → 20:34
Well, we'll be ready for him any time now.
20:34 → 20:36
That's fine.
20:36 → 20:40
Oh, Zeku.
20:40 → 20:42
Glad to see you pitching in.
20:42 → 20:44
I'm glad to see you, too.
20:44 → 20:46
I'm glad to see you, too.
20:46 → 20:48
I'm glad to see you, too.
20:48 → 20:50
I'm glad to see you, too.
20:50 → 20:52
Glad to see you pitching in.
20:52 → 20:55
I wouldn't want to give you any wrong notions, Mr. Cartwright.
20:55 → 20:57
I'm just doing this to please Mr. Edwards.
20:57 → 21:00
I still don't think any good's going to come of it.
21:00 → 21:02
Well, why don't you give it a chance?
21:02 → 21:04
Well, I'll give it a chance.
21:04 → 21:06
I'm just wondering one thing.
21:06 → 21:09
What's really in this for you, Mr. Cartwright?
21:09 → 21:11
Hey, Pa?
21:11 → 21:13
Pa, send me in some more nails, will you?
21:13 → 21:15
Yeah, coming right up.
21:18 → 21:20
But it looks so complicated.
21:20 → 21:22
How did you ever figure it out?
21:22 → 21:24
Well, it's really not original.
21:24 → 21:26
The design is actually a combination.
21:26 → 21:29
Some of it comes from the old New England mills,
21:29 → 21:32
and some comes from the wheels of the miners built here in Nevada.
21:32 → 21:35
As you see, we've built a flume leading to the top of the wheel.
21:35 → 21:38
Now, at the proper time, we'll divert the water back through the flume.
21:38 → 21:41
It'll pass over the top of the wheel, striking the blades,
21:41 → 21:44
which will turn the wheel, which will drive the shaft,
21:44 → 21:47
which will turn the upper millstone, and presto, you're grinding wheat.
21:47 → 21:49
It's quite simple.
21:49 → 21:51
Oh, Adam, I think you're absolutely marvelous.
21:51 → 21:53
Well, actually, the idea is thousands of years old,
21:53 → 21:55
but imagine what it meant to man before the steam age.
21:55 → 21:57
Pa should be here soon with the millstones,
21:57 → 22:00
which reminds me, I'd better see our little Joes coming along.
22:00 → 22:02
Oh, and I'd better see about Tom.
22:02 → 22:04
Hey, Professor.
22:04 → 22:06
Huh? Come here.
22:06 → 22:11
That's a mighty pretty assistance you got there.
22:11 → 22:13
Meaning what?
22:13 → 22:16
Oh, you're a sly one.
22:16 → 22:19
I was watching you, standing close, spinning over, sniffing her hair.
22:19 → 22:21
I know you bright boys.
22:21 → 22:24
How would you like to shut your filthy face, huh?
22:24 → 22:26
Well, I'm just doing you a favor, friend.
22:26 → 22:28
Don't let her husband catch you.
22:28 → 22:30
He's still handy with a rifle.
22:30 → 22:32
Ezekiel!
22:32 → 22:34
Come get me!
22:34 → 22:36
Excuse me, Professor.
22:36 → 22:39
I was so busy watching you and Mrs. Edwards,
22:39 → 22:42
I forgot all about her husband.
22:42 → 22:45
I don't know what you're up to,
22:45 → 22:48
but don't make any trouble for Mrs. Edwards.
22:48 → 22:50
Ha-ha-ha!
22:50 → 22:57
It's about time you got here, Professor.
22:57 → 22:59
Did some of the heavy work.
22:59 → 23:01
Don't call me that.
23:01 → 23:03
What's the matter with you?
23:03 → 23:05
Just don't call me Professor.
23:05 → 23:07
Here, let me get that.
23:07 → 23:09
I'm perfectly capable of doing this myself.
23:09 → 23:11
Anything you say, ma'am.
23:11 → 23:14
Get down there. I want to see how things are going.
23:14 → 23:16
Yes, sir. If you think it'd be all right.
23:16 → 23:19
All right? Why shouldn't it be all right? Come on.
23:19 → 23:22
I just mean the ground's so rough, your leg's being so weak.
23:22 → 23:25
Must you always remind him of that?
23:25 → 23:27
I didn't mean no harm, ma'am.
23:27 → 23:29
I was just thinking.
23:29 → 23:31
Come on! Come on!
23:31 → 23:36
You know, Adam, I got to hand it to you.
23:36 → 23:38
I think this thing's gonna work.
23:38 → 23:40
Thanks.
23:40 → 23:43
I'm sorry about blowing off all that steam a while ago.
23:43 → 23:46
That's all right. I'm used to taking all the guff around this family.
23:46 → 23:48
That's what I'm here for.
23:48 → 23:50
Oh, sure. You're really abused, aren't you?
23:50 → 23:52
Here, put this plank up there.
23:52 → 23:54
See what I mean?
23:54 → 23:59
Got it? Yeah. Why don't you get some light wood?
23:59 → 24:02
Well, Ben, you're really making progress.
24:02 → 24:04
Moving right along, Tom.
24:04 → 24:07
Any reason why I can't be of some help?
24:07 → 24:09
Why not at all?
24:09 → 24:12
As a matter of fact, I think I've got the very thing for you.
24:12 → 24:15
Ezekiel, move his chair in closer to the wheel.
24:15 → 24:17
See these binder rods? Yeah.
24:17 → 24:19
They need tightening. Uh-huh.
24:19 → 24:22
Now, here's a wrench. Get to work. Fine.
24:22 → 24:25
Oh, Adam, isn't it wonderful to see Tom working again?
24:25 → 24:27
It sure is.
24:27 → 24:29
What's the matter?
24:29 → 24:32
I just think you have the most wonderful father.
24:32 → 24:36
Don't be alarmed, folks. Just a signal.
24:36 → 24:39
Signal for what? The arrival. Look to the east.
24:39 → 24:41
Horse Cartwright, charioteer.
24:41 → 24:44
Charging up with a ton of millstones.
24:44 → 24:47
Come on, horse. Drive him.
24:47 → 24:49
Yeah!
24:49 → 24:51
In there!
24:51 → 24:53
Hey!
24:53 → 24:55
Come on, dive in.
24:55 → 25:02
How was it, horse? Fine, Paul.
25:02 → 25:04
Have any trouble getting this load across the river?
25:04 → 25:06
No, a little bit. Been swimming with it.
25:06 → 25:11
Hey, can I get this? Yeah, I got it.
25:11 → 25:13
I got it.
25:13 → 25:16
Well, I don't know about you, Mr. Edwards,
25:16 → 25:20
but I always go by the rule you ought to lock the barn before the horse gets away.
25:20 → 25:22
What are you talking about?
25:22 → 25:26
Just a certain party and your wife.
25:26 → 25:30
You know what I think I'll do with you?
25:30 → 25:33
When this mill is finished, I'll put a rope around your neck
25:33 → 25:36
and hang you from one of the rafters just to celebrate.
25:36 → 25:39
Mr. Edwards, you know I'm just protecting your interest.
25:39 → 25:42
Listen, you filthy snake, I trust my wife,
25:42 → 25:44
and I trust Ben Cartwright. He's my friend.
25:44 → 25:48
If you ever again put one of your rotten, suspicious thoughts in my mind,
25:48 → 25:50
so help me heaven, I'll kill you.
25:50 → 25:52
Your friend, Mr. Edwards?
25:52 → 25:56
I wasn't talking about him. I was talking about his son, Adam.
25:57 → 25:59
Watch your hands down there with that pole.
25:59 → 26:02
Let me get this out of there. It's heavy.
26:02 → 26:04
Easy now.
26:04 → 26:08
Easy, easy.
26:08 → 26:13
Okay, let her slide down. Easy does it.
26:13 → 26:15
Watch your hands, Pop.
26:15 → 26:17
Let her slip.
26:17 → 26:21
I ain't saying she did anything,
26:21 → 26:25
but the point is, it just so happens that she's a good girl.
26:25 → 26:26
The point is...
26:26 → 26:29
Just tell me if you saw anything or you didn't between her and Adam.
26:29 → 26:31
Mr. Edwards, I don't want you getting excited.
26:31 → 26:33
Never mind about that. Just tell me what you saw.
26:33 → 26:35
Well, Adam was...
26:35 → 26:40
Well, he was kind of brushing up against her here and there.
26:40 → 26:42
Did he touch her?
26:42 → 26:44
No, not exactly.
26:44 → 26:49
It's his eyes, you know, when she wasn't looking at him.
26:49 → 26:53
His eyes was... Well, you know what I mean.
26:53 → 26:56
It just kind of touching her all over.
26:56 → 27:01
Of course, you've got to admit that Adam is a good-looking boy.
27:01 → 27:05
With a little bit of luck, we'll have this mill running by tonight.
27:05 → 27:09
Tom! Tom, they think they'll have the wheel going by tonight.
27:09 → 27:10
Isn't that wonderful?
27:10 → 27:12
Do you know what I think we should have?
27:12 → 27:15
A party, and let's dance, and let's grind the first grain
27:15 → 27:16
and have the neighbors in.
27:16 → 27:19
Oh, wouldn't it be wonderful to have music again?
27:19 → 27:22
I'll bet you'd like to dance, wouldn't you?
27:22 → 27:24
Dusty, the music would be enough.
27:24 → 27:27
I'll bet you'd like to dance with Adam.
27:27 → 27:28
I beg your pardon?
27:28 → 27:30
What's all this between you and Adam?
27:30 → 27:32
Between me and Adam?
27:32 → 27:35
Ever since the mill started, you've been tagging each other around.
27:35 → 27:37
Tom, I don't understand you.
27:37 → 27:39
You understand me. You're a woman, aren't you?
27:39 → 27:41
You're young, you're lovely.
27:41 → 27:43
Don't tell me you don't know what I'm talking about.
27:43 → 27:47
Tom, on my word of honor, no such thought for Adam ever entered my mind.
27:47 → 27:50
Then why are you so happy? Why have you been smiling ever since this mill started?
27:50 → 27:52
Because of you.
27:52 → 27:55
Because I thought it would start your life again, and my life.
27:55 → 27:57
You haven't been tagging Adam around?
27:57 → 27:58
No.
27:58 → 28:00
Brushing against him, leaning against him?
28:00 → 28:02
Laughing with him at me?
28:02 → 28:03
No.
28:03 → 28:05
You have, both of you!
28:05 → 28:08
You've been tagging each other around like a couple of simpering lovebirds!
28:08 → 28:10
What's going on?
28:10 → 28:11
I don't know.
28:11 → 28:13
Looks like Ezekiel has done his work.
28:13 → 28:15
Ezekiel, get me out of here!
28:15 → 28:17
Excuse me, Miss Edwards.
28:17 → 28:20
You got him so upset, I better take him inside and lay him down for a while.
28:20 → 28:23
Ezekiel, do I have you to thank for this?
28:23 → 28:25
No, ma'am.
28:25 → 28:27
I didn't tattle on you, if that's what you mean.
28:27 → 28:30
If you come near my wife again, Adam Cartwright, I'll kill you both!
28:30 → 28:35
Oh!
28:35 → 28:36
Oh!
28:36 → 28:41
Pa, I'll give you my word.
28:41 → 28:44
It's Ezekiel. He's warped and twisted Edwards' mind.
28:44 → 28:46
Pa, maybe we'd better stop working the mill.
28:46 → 28:48
After I lug these stones in here?
28:48 → 28:49
We'll finish this mill.
28:49 → 28:52
Pa, a man as mixed up as that's not able to kill somebody.
28:52 → 28:55
Keep working.
28:55 → 29:05
Joyce!
29:05 → 29:07
Joyce!
29:07 → 29:08
Joyce!
29:08 → 29:11
Joyce.
29:11 → 29:15
Ben, please go away and leave me alone.
29:15 → 29:18
Joyce, come on now. Let it out.
29:18 → 29:21
I've never been so humiliated, so ashamed.
29:21 → 29:23
I don't know what to do.
29:23 → 29:30
Now take it easy, Joe. You're ruining the whole thing.
29:30 → 29:33
Look, I told you it wouldn't fit, Adam. You made the shaft too short.
29:33 → 29:35
Come on, now lift. Now lift, horse!
29:35 → 29:38
Dang it, Adam, if I lift anymore, I'm gonna lift the whole earth up!
29:38 → 29:40
Lift!
29:41 → 29:42
Lift!
29:42 → 29:47
Oh, come on, will ya, Adam?
29:47 → 29:50
Let's call it quits.
29:50 → 29:51
Quits?
29:51 → 29:54
Yeah, quits. We did enough work today for ten men.
29:54 → 29:56
Now, come on, Joe, give me a few more minutes.
29:56 → 29:58
I'm hungry, Adam.
29:58 → 30:01
Adam, you give me one reason why I ought to break my back.
30:01 → 30:03
Because I want to see it work.
30:03 → 30:07
I want to see this mill grind wheat. I want to eat bread from this mill that we built.
30:07 → 30:08
You do?
30:08 → 30:09
I do.
30:10 → 30:11
He does?
30:11 → 30:13
He does.
30:13 → 30:15
Well, why don't you say so, brother?
30:15 → 30:17
Come on, let's get to work.
30:17 → 30:21
All right, all together now.
30:21 → 30:22
All right, let's go.
30:22 → 30:24
One, two, heave!
30:24 → 30:27
All right, in she goes!
30:27 → 30:30
Hey, get the other side over there.
30:30 → 30:33
Hey, wait till I get this board up.
30:33 → 30:37
Let's go. One, two, heave!
30:38 → 30:39
Hey!
30:39 → 30:41
Hey, way to go, brother!
30:41 → 30:42
Hey, look, it won't!
30:42 → 30:45
Boss, get up to the diversion gate.
30:45 → 30:47
When I give you the signal, let the water in the flume.
30:47 → 30:48
Right.
30:48 → 30:50
Hey, Adam, don't you think we ought to wait for Pa?
30:50 → 30:52
Pa said to get it done, and that's what we got to do.
30:52 → 30:56
Now, get up there and let up that sluice gate when I tell you.
30:56 → 30:58
Aye, aye, sir.
30:59 → 31:01
All right, horse, let her go!
31:01 → 31:16
Hey, it's filling up the flume, Adam.
31:16 → 31:26
Hey, it's filling up the flume, Adam.
31:26 → 31:31
You all set?
31:31 → 31:32
Let her go.
31:32 → 31:33
Here she comes!
31:33 → 31:34
Hey!
31:34 → 31:35
Hey, boys, get working!
31:35 → 31:36
Hey!
31:36 → 31:37
Hey!
31:37 → 31:38
Hey!
31:38 → 31:39
Hey!
31:39 → 31:40
Hey!
31:40 → 31:41
Hey!
31:41 → 31:42
Hey!
31:42 → 31:43
What's going on?
31:43 → 31:44
What's going on?
31:44 → 31:45
Hey!
31:45 → 31:46
Hey!
31:46 → 31:47
Hey, it's working!
31:47 → 31:48
Hot!
31:48 → 31:49
Look at all this ****!
31:49 → 31:50
Let's go!
31:50 → 31:51
Old millstone!
31:51 → 31:52
Old grinder!
31:52 → 31:53
Wheat!
31:53 → 31:55
And old wheat, make our bread!
31:55 → 31:58
And old bread, make us as bright as our brother Adam!
31:58 → 31:59
Amen!
31:59 → 32:00
Yeah!
32:00 → 32:01
Wheat!
32:01 → 32:01
Let's go!
32:01 → 32:03
We've got to get some wheat!
32:03 → 32:04
Let's go!
32:04 → 32:05
Look at it!
32:05 → 32:10
Tom?
32:10 → 32:12
Tom?
32:12 → 32:13
Hey, Adam!
32:14 → 32:16
Hey, maybe we better get up there.
32:16 → 32:17
No.
32:17 → 32:18
Wait.
32:18 → 32:20
Come on in, whoever you are!
32:20 → 32:29
Well, Cartwright, what do you want?
32:29 → 32:36
The one thing I don't want is people shooting at me without a reason.
32:36 → 32:38
I got a reason.
32:38 → 32:39
Best reason in the world.
32:39 → 32:40
My wife.
32:40 → 32:41
Where is she?
32:41 → 32:42
That's right.
32:42 → 32:43
Where is she?
32:43 → 32:44
Mr. Edward here has been worried about her.
32:44 → 32:46
It ain't good for him to worry.
32:46 → 32:48
How should I know where his wife is?
32:48 → 32:50
You ought to know where she is.
32:50 → 32:52
She's with your father, ain't she?
32:52 → 32:53
He run off after her.
32:53 → 32:55
Didn't think I knew, did you?
32:55 → 32:56
I know.
32:56 → 32:57
Ezekiel told me.
32:57 → 33:00
I know all about your father, too, from a long way back.
33:00 → 33:02
It's not the first time he betrayed me.
33:02 → 33:04
He shot me in the spine!
33:04 → 33:07
My father didn't shoot you, and you know it.
33:07 → 33:08
I don't know any such thing.
33:08 → 33:11
I know it was you, Cartwright, that's caused all my trouble.
33:11 → 33:13
Mr. Edwards, you're wrong.
33:13 → 33:15
Real wrong.
33:15 → 33:17
But I didn't come here to argue with you.
33:17 → 33:18
I just came to tell you that your mill is finished.
33:18 → 33:20
We got it going.
33:20 → 33:22
You think the mill solves everything, don't you?
33:22 → 33:23
You know what I'm gonna do with your mill?
33:23 → 33:24
I'm gonna destroy it.
33:24 → 33:26
I'm gonna burn it to the ground!
33:26 → 33:29
Does Ben Cotter think he can buy my wife with a mill?
33:29 → 33:31
You mock my words.
33:31 → 33:34
Before I let him steal my wife, I'll kill him!
33:34 → 33:36
And hurt you!
33:36 → 33:39
Ezekiel.
33:39 → 33:41
If you're really his friend,
33:41 → 33:43
you'll get these wild ideas out of his head.
33:43 → 33:46
I am his friend, Mr. Cartwright.
33:46 → 33:48
But what's right is right.
33:48 → 33:51
A man has a simple duty to protect his home.
33:51 → 34:01
Ben.
34:01 → 34:04
I'll always remember this time we've had together today.
34:04 → 34:07
It was as though we had escaped to another world.
34:08 → 34:10
It's been that way for me, too.
34:10 → 34:16
Ben, look!
34:16 → 34:18
The wheel is turning!
34:18 → 34:21
Oh! Oh, isn't it beautiful?
34:21 → 34:23
It certainly is.
34:23 → 34:27
Joyce, I just can't let you go back.
34:27 → 34:30
Ben, please, I...
34:30 → 34:33
At least spend the night with us at the Ponderosa.
34:33 → 34:35
Don't go back to that house, not right now.
34:35 → 34:37
I'm not afraid.
34:37 → 34:41
Tom and Ezekiel will be so drunk, they won't even hear me come in.
34:41 → 34:43
Besides, with the mill and all,
34:43 → 34:46
perhaps it will be different again.
34:46 → 34:49
I've got to give him that chance.
34:49 → 34:55
Well, just to be sure everything's all right, I'll...
34:55 → 34:58
I'll ride by first thing in the morning.
34:58 → 35:02
Ben, thank you for everything.
35:03 → 35:06
Thank you for everything.
35:06 → 35:30
Pa, we've been waiting for you.
35:30 → 35:32
I was a little worried about you.
35:32 → 35:34
It's thoughtful of you, Adam,
35:34 → 35:36
but I'm old enough to take care of myself.
35:36 → 35:39
I ran into some trouble at the Edwards' place.
35:39 → 35:41
What sort of trouble?
35:41 → 35:43
Tom took a shot at me.
35:43 → 35:45
I can't believe that.
35:45 → 35:48
I went up to the ranch to tell him to finish with the mill.
35:48 → 35:51
He and that hired hen of his were glassy-eyed drunk.
35:51 → 35:53
What started it? What brought it on?
35:53 → 35:56
Tom had some wild idea about you and Joyce being off together.
35:56 → 35:59
He was making threats about killing you if you didn't stay away from her.
35:59 → 36:01
Where are you going?
36:01 → 36:03
I'm going right back to that house as fast as I can make it.
36:03 → 36:05
That man touches Joyce.
36:05 → 36:06
Pa!
36:06 → 36:08
What?
36:08 → 36:13
Want me to go with you?
36:13 → 36:15
No. You stay here. I'll handle this alone.
36:15 → 36:19
Pa, Tom's suspicion about you and Joyce, it isn't true, is it?
36:19 → 36:21
Suppose it were, Adam.
36:21 → 36:23
How would you feel about it?
36:23 → 36:26
I'd say that if there ever was a chance,
36:26 → 36:29
she couldn't do any better.
36:29 → 36:31
I'd be happy for both of you.
36:31 → 36:35
Thank you for that, Adam.
36:45 → 36:48
Ha-ha-ha-ha-ha-ha-ha-ha!
36:48 → 36:55
That does it, Mr. Edmonds.
36:55 → 36:57
It's my house now.
36:57 → 37:00
Your house.
37:00 → 37:02
Your money.
37:02 → 37:07
Your strength that packs me upstairs and puts me to bed.
37:07 → 37:10
This is my wife, Ezekiel. You hear that?
37:10 → 37:12
She's my wife!
37:12 → 37:14
That's right.
37:14 → 37:16
I'm your wife.
37:16 → 37:19
You owe me quite a bit, Mr. Edwards.
37:19 → 37:21
I've got a mill.
37:21 → 37:23
I'll grind flour.
37:23 → 37:25
I don't make money.
37:25 → 37:28
Ain't you forgetting something? I won that mill.
37:28 → 37:31
I'll pay you some way.
37:31 → 37:33
I'll pay you.
37:33 → 37:36
Now that you mention it, there is a way.
37:36 → 37:39
An easy way. You like to gamble, don't you?
37:39 → 37:42
What are you driving at?
37:42 → 37:45
I just want to make one more bet with you.
37:45 → 37:47
Just one cut of the cards.
37:47 → 37:51
If I lose, you don't owe me anything, Mr. Edwards.
37:51 → 37:53
Not a thing.
37:53 → 37:56
You get the house back and all the money you owe me.
37:56 → 38:00
If I lose, what do I still own?
38:00 → 38:02
You don't already have.
38:02 → 38:09
Just one cut of the cards can prevent that, Mr. Edwards.
38:09 → 38:12
You ought to jump at the chance.
38:12 → 38:14
Somebody ought to kill you.
38:14 → 38:16
Somebody ought to stop you.
38:16 → 38:20
Maybe somebody will.
38:20 → 38:24
But that ain't gonna be you, is it, Mr. Edwards?
38:24 → 38:26
I'm gonna kill you.
38:26 → 38:28
I'm gonna kill you.
38:28 → 38:53
Looks like my king beat your nine.
38:55 → 38:58
Would you mind bringing Mr. Edwards up to our room now?
38:58 → 39:01
I don't have to do that no more, Miss Edwards.
39:01 → 39:05
That's my room now. That's where I'm gonna sleep.
39:05 → 39:10
Even drunk as you are, you know that's not true.
39:10 → 39:13
Isn't it? You ask your husband.
39:13 → 39:19
What does he mean?
39:19 → 39:23
There's some things going on here I think you ought to know about.
39:23 → 39:25
Tom, what is he saying?
39:25 → 39:27
He won the bet.
39:27 → 39:29
What bet?
39:29 → 39:31
What do you mean?
39:31 → 39:35
You're just as drunk as he is. You don't even know what you're saying.
39:35 → 39:39
No, he's right, Miss Edwards.
39:39 → 39:42
I won the bet.
39:42 → 39:44
Don't tell him to get away from me. Help me!
39:44 → 39:47
I can't help you, Joyce. I can't help you.
39:47 → 39:50
You might as well get used to the idea, Miss Edwards.
39:50 → 39:53
From now on, there ain't gonna be nobody but...
39:53 → 39:56
Just get away from me! You touch me and I'll kill you!
39:56 → 39:59
I don't know how I'll do it, but I'll kill you!
39:59 → 40:13
Well, she'll get over that as soon as she calms down a bit.
40:13 → 40:16
Will she, Ezekiel? Are you sure?
40:16 → 40:19
Yeah, I'm sure. Why shouldn't I be?
40:19 → 40:23
You heard her. She said she'd kill you first.
40:23 → 40:27
Maybe someone's gonna stop you after all.
40:45 → 40:47
Hello, Mr. Cartwright?
40:47 → 40:50
You should knock before you come into my home.
40:50 → 41:04
Get out of here.
41:04 → 41:07
No, Mr. Cartwright. Everything here belongs to me now.
41:07 → 41:10
You see, I've taken Mr. Edwards' place.
41:10 → 41:13
Even this chair belongs to me.
41:14 → 41:16
Come on, Joyce.
41:16 → 41:22
Now stay right where you are, Mr. Cartwright.
41:22 → 41:25
I wouldn't want to have to hurt you.
41:25 → 41:28
Now you lay your pistol belt on that table.
41:29 → 41:32
Now you lay your pistol belt on that table.
41:32 → 41:55
Why are you sitting in that wheelchair? You're not crippled?
41:55 → 41:59
That's right, I'm not. I just want to get the feel of it.
41:59 → 42:04
I want to know how Mr. Edwards felt when he sat in it.
42:04 → 42:08
I want to know how Mr. Edwards felt about everything.
42:08 → 42:17
Come on, Joyce. Let's get out of here.
42:17 → 42:20
No! Now, you can't, Mr. Cartwright.
42:20 → 42:23
She belongs to me, too. Don't you understand?
42:23 → 42:27
I have it all here. I kept track of every bet I made with Mr. Edwards.
42:27 → 42:31
He gambled away everything. And tonight, he gambled away his wife.
42:31 → 42:41
Well, if you won everything from him, why did you kill him?
42:41 → 42:46
Well, he tried to go back on a bet. You know a man can't do that.
42:49 → 42:51
Ezekiel.
42:51 → 42:54
You see...
42:54 → 42:57
You're very tired.
42:57 → 43:01
Why don't you rest and we can talk about it?
43:01 → 43:03
Go on, Joyce.
43:03 → 43:06
No! No. Where's she going?
43:06 → 43:08
Just outside.
43:08 → 43:10
No, no, she can't.
43:10 → 43:14
Mr. Edwards told you that if you tried to steal his wife, he'd kill you.
43:14 → 43:16
I'm the same as Mr. Edwards now.
43:16 → 43:19
So if you try to take her...
43:19 → 43:21
I'm going to have to kill you.
43:21 → 43:24
Oh!
43:24 → 43:28
Get up!
43:28 → 43:30
Get up!
43:30 → 43:32
Get up!
43:32 → 43:34
Get up!
43:35 → 43:37
Get up!
43:37 → 43:39
Get up!
43:40 → 43:42
Uh! Uh!
43:42 → 43:59
Oh!
44:06 → 44:09
Ah! Ben!
44:09 → 44:11
Oh! Ben!
44:11 → 44:13
Oh!
44:13 → 44:15
Oh!
44:15 → 44:17
Oh!
44:17 → 44:19
Joyce, this is...
44:19 → 44:21
Joyce, this is...
44:21 → 44:47
Joyce, this is...
44:47 → 44:49
This is what you want to do.
44:49 → 44:53
I've had a lot of time to think this past week, and, uh...
44:53 → 44:55
Well, I have friends in Denver.
44:55 → 44:59
I'd stay with them, and then I'll move on east.
44:59 → 45:01
All right.
45:01 → 45:05
You go, and after a few weeks or months...
45:05 → 45:08
Well, then you can decide what you want to do.
45:08 → 45:10
Now, whatever you do...
45:10 → 45:13
Don't sell the mill. You use it.
45:13 → 45:15
Joyce...
45:15 → 45:17
When you come back...
45:17 → 45:19
Ben...
45:19 → 45:21
I love you.
45:21 → 45:26
But I could never come back.
45:26 → 45:30
I need you.
45:30 → 45:32
Remember you told me once...
45:32 → 45:37
That when little Jo's mother died, you had to get away, had to meet new people?
45:37 → 45:40
Well, think of it that way.
45:41 → 45:43
I love you.
45:43 → 45:53
Well, I'll...
45:53 → 45:55
I'll drive you into Virginia City.
45:55 → 45:57
I'd rather we said goodbye here.
45:57 → 46:00
It isn't easy for me, either.
46:00 → 46:02
I love you.
46:02 → 46:04
I love you.