The Philadelphia Story is a 1940 American romantic comedy film[2][3] directed by George Cukor, starring Cary Grant, Katharine Hepburn, James Stewart, and Ruth Hussey. Based on the 1939 Broadway play of the same name by Philip Barry,[4] the film is about a socialite whose wedding plans are complicated by the simultaneous arrival of her ex-husband and a tabloid magazine journalist. The socialite character of the play—performed by Hepburn in the film—was inspired by Helen Hope Montgomery Scott (1904–1995), a Philadelphia socialite known for her hijinks, who married a friend of playwright Barry.[5]
Written for the screen by Donald Ogden Stewart and an uncredited Waldo Salt, it is considered one of the best examples of a comedy of remarriage, a genre popular in the 1930s and 1940s in which a couple divorce, flirt with outsiders, and then remarry—a useful story-telling device at a time when the depiction of extramarital affairs was blocked by the Production Code.
Tracy Lord is the elder daughter of a wealthy Philadelphia Main Line socialite family. She was married to C.K. Dexter Haven, a yacht designer and member of her social set, but divorced him two years prior, because, according to her father, he does not measure up to the standards she sets for all her friends and family: He drank too much for her taste, and, according to him, as she became critical of him, he drank more. Their only interaction while married, the film's opening scene, is her breaking his golf clubs and him pushing her to the ground. Now, she is about to marry nouveau riche "man of the people" George Kittredge.
More and Source -> Wikipedia: https://en.wikipedia.org/wiki/The_Philadelphia_Story_(film)
The Philadelphia Story is a 1940 American romantic comedy film[2][3] directed by George Cukor, starring Cary Grant, Katharine Hepburn, James Stewart, and Ruth Hussey. Based on the 1939 Broadway play of the same name by Philip Barry,[4] the film is about a socialite whose wedding plans are complicated by the simultaneous arrival of her ex-husband and a tabloid magazine journalist. The socialite character of the play—performed by Hepburn in the film—was inspired by Helen Hope Montgomery Scott (1904–1995), a Philadelphia socialite known for her hijinks, who married a friend of playwright Barry.[5]
Written for the screen by Donald Ogden Stewart and an uncredited Waldo Salt, it is considered one of the best examples of a comedy of remarriage, a genre popular in the 1930s and 1940s in which a couple divorce, flirt with outsiders, and then remarry—a useful story-telling device at a time when the depiction of extramarital affairs was blocked by the Production Code.
Tracy Lord is the elder daughter of a wealthy Philadelphia Main Line socialite family. She was married to C.K. Dexter Haven, a yacht designer and member of her social set, but divorced him two years prior, because, according to her father, he does not measure up to the standards she sets for all her friends and family: He drank too much for her taste, and, according to him, as she became critical of him, he drank more. Their only interaction while married, the film's opening scene, is her breaking his golf clubs and him pushing her to the ground. Now, she is about to marry nouveau riche "man of the people" George Kittredge.
More and Source -> Wikipedia: https://en.wikipedia.org/wiki/The_Philadelphia_Story_(film)
he Most Dangerous Game is a 1932 American pre-Code horror film, directed by Ernest B. Schoedsack and Irving Pichel, starring Joel McCrea, Fay Wray and Leslie Banks.
The movie is an adaptation of the 1924 short story of the same name by Richard Connell; it is the first film version of the story. In
Atoll K (1951) is a French-Italian co-production film—also known as Robinson Crusoeland in the United Kingdom and Utopia in the United States – which starred the comedy team of Stan Laurel and Oliver Hardy in their final screen appearance. The film co-stars French singer/actress Suzy Delair and was
Mata Hari, Agent H21 is a 1964 French-Italian spy film directed by Jean-Louis Richard and starring Jeanne Moreau, Jean-Louis Trintignant and Claude Rich. It portrays the activities of the First World War spy Mata Hari. Costumes by Pierre Cardin.
In Paris during the First World War, an exotic dancer